Behind the Scenes of "A House of Dynamite" with Director Kathryn Bigelow
I’m Kathryn Bigelow, the director of A House of Dynamite. In one pivotal scene, Deputy National Security Adviser Jake Baerington, portrayed by Gabriel Basso, is racing against time after discovering an incoming nuclear ICBM aimed at North America. His urgent quest to reach the White House involves a tense conversation with General from Stratcom, played by Tracy Letts. The general advocates for immediate action, arguing for a hawkish approach, while Jake urges a more cautious strategy, emphasizing the need for careful analysis.
This scene is packed with urgency and showcases the contrasting perspectives of the characters. Jake insists, “That’s your job, not mine. Don’t let us hold you back,” highlighting the tension between immediate action and deliberation.
Creating a Seamless Narrative
To convey this sense of urgency, we designed multiple sets that flow seamlessly from one to another. We began with a custom-built security kiosk, leading directly to the White House briefing room and ultimately the Situation Room, where a critical briefing is taking place. Each location was carefully crafted to maintain continuity. For the exterior scenes, we chose a golf museum whose architectural style aligns closely with that of the White House.
Simultaneously, we intercut scenes at Strategic Command (Stratcom) in Omaha, Nebraska, which plays a crucial role in America’s nuclear defense. As the story unfolds, the clock ticks down, confirming that the incoming ICBM is a genuine threat, not a test. The heightened stakes explore various strategies for response, including mobilizing the B-2 bomber, a vital component of the U.S. nuclear arsenal.
Meticulously Crafted Sets
Filming took place at Cinelease in New Jersey, utilizing three separate stages for different settings: Fort Greely, Stratcom, and the White House Situation Room. Our production designer, Jeremy Hindle, executed astounding replicas of these locations. During a brief visit to the actual sites, we absorbed details that allowed Jeremy to create sets so accurate that military personnel believed we filmed on location.
As the tension builds, we capture live exchanges among the cast, leading to a dynamic and theatrical experience. The actors portraying characters in separate sets engages with each other in real-time, enhancing the immediacy of their responses. This approach adds authenticity to the crisis scenario.
Dialogue That Resounds
In one gripping exchange, a character states, “Once the kill vehicle separates, our mid-course intercept system has a success rate of 61 percent.” To which another replies, “So it’s a coin toss? That’s what $50 billion buys us?” This dialogue encapsulates the precarious nature of nuclear deterrence.
In A House of Dynamite, we delve into the complexities of military decision-making during a crisis, intertwining realistic set designs and live performances to create an enduring narrative.